![]() ![]() ![]() An added USB connection means that users can send MIDI messages from a DAW while simultaneously synchronizing with an audio clock. ![]() The Multiclock can be synchronized with incoming MIDI clock, DIN Sync, or analog clock signals from a modular synthesizer system. Incoming audio signals are first converted into clock signals then routed to the Multiclock’s four outputs. Timing information is sent to the unit from an audio track of the DAW, a process aided by an included plugin. There’s also per-channel Hot-Plug&Play support for MIDI, modular clock, analog LFO, and DIN.Īdditionally, any unused channel can be utilized as a MIDI controller. The Multiclock consists of four independent channels, each with real time shift and swing parameters. The unit converts many kinds of clock signals into others, drives a Sync plugin via DAW, and is capable of acting as a master clock source. The E-RM Multiclock is a multifarious sync solution and interface designed as a one-stop-shop for the synchronization of compatible audio devices. But We will include a North American style plug adapter free of charge* Unfortunately it can be a little tricky to understand if you're not familiar with problem solving these kinds of issues not helped by unhelpful support and an OKAY manual (there are worse out there to be fair) and that's usually the point where most people who've hit a brick wall, give up and sell it.* This unit comes with a 100V-240V adapter with an EU style power plug. The only thing I've found that does, is the ERM Multiclock. In my case I have various different drum machines and synths all with their own interpretations of the sync clock. If you have multiple, you start running into problems and that's when a Multiclock comes to the rescue. If you have one or two devices, sure Ableton's sync solutions can help. The more devices the more sync problems you have. FOr example, some may have just one external device. The ERM Multiclock is the industry standard device for sync'ing out of the box instruments with in the box instruments.Įvery person's midi requirements are different however. Have any users of the Multiclock come across and resolved this issue? It's driving me crazy as the Multiclock just seems like it's routing, but not actually controlling.Į-RM have not been responding to emails, so looking here for help! The Multiclock physical controls have no effect on any Midi Din output channel. I have tried this with a Sub37, Summit and Pulse 2. If I turn Multiclock Shuffle to 99%, the recorded audio is still on the grid (sync with metronome) ![]() If I turn the Multiclock Shift to +100ms, the recorded audio is still on the grid (sync with metronome) If I turn the Multiclock Shift to -100ms, the recorded audio is still on the grid (sync with metronome) My problem is, that the physical controls on the Multiclock do not affect the Sub37 or the recorded audio. Recorded audio (Monitor Off) on the Audio Track is perfectly in sync with the metronome - OK The unit converts many kinds of clock signals into others, drives a Sync plugin via DAW, and perhaps best of all, it is capable of acting as a master clock source for hardware. Audio from the Sub37 is routed from RME UCX Input #6 to Ableton Audio Track - OKħ. The E-RM Multiclock is a multifarious sync solution and interface designed as a one-stop shop for the synchronization of compatible audio devices. Multiclock forwards the Midi notes to Multiclock Midi Din Output #2 which is connected to the Sub 37 - OKĦ. External Instrument is used to send Midi notes to the Multiclock via USB - OKĥ. Changing BPM in Ableton, changes the BPM on the Multiclock - OKĤ. E-RM receives the audio signal and sets the clock - OKģ. E-RM plugin is setup on a standard Midi Track sending an audio signal out from RME UCX output #6 to Multiclock audio in - OKĢ. Just using one synth (Sub37) to start simple.ġ. I'm having an issue with setting up the E-RM Multiclock with Ableton. ![]()
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